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E4 is the exact pitch capable of affecting The Anderson in just this way, aligning it vibrationally, slowing and altering its possibility as site for art, transforming it into a vacuum that gives way for the theurgical possibility of art objects. With E4 emerges a sensorial suspension that heightens the gaze and lowers the object, allowing for a closer convening with art.
Love Luck
Iron fragment and
flower petal (found hand-in-hand at Gethsemane Monastery)
bound together by cottons and
silk dyed by two tender-queer egg femmes
matched to dual-faucet ledge cathected by artist to mirror-shine
Lit by daylight,
cooled by winter draft
Disowned Pillar
Perforated length wrapped and steadied on a tile fragment
Late afternoon
southern exposure
Waxed linen warmed to steel by sunlight
Soon
Cotton and silk on wood
laid along a polished sill
Reflection and fumes
Cathexis
sunshine
cold wind
Two-Person Exhibition with Daša Kulikova
Curated by Sarah Irvin
Exhibited at The Anderson
Images courtesy Oliver Mukherjee
Audio courtesy of Stephen Vitiello